Studies e Background:Philosophy studies: University of RomeDiploma (clarinet): S. Cecilia Conservatory, RomeB.A. in performance, M.A. in composition: State University of New Yok at Buffalo (SUNYAB)Ph.D. in composition: University of California, San Diego (UCSD)Teachers:Lejaren Hiller, Charlie Mingus, William O. Smith, John Silber and Keith Humble have left the most durable influences.Early professional experiencesJazz and free music. Plays with Bruno Tommaso, Giancarlo Schiaffini. Mario Schiano, Marcello Melis, Franco Tonani in various groups
http://www.soundtransformations.btinternet.co.uk/khoomiipeggconcepts.htm Based on fieldwork in western Mongolia during 1989 and 1990, this paper relates Mongolian xöömii or overtone singing to its social context and to the cognitive world of the performers. It looks at secular performance contexts, theories of origin, legendary/historical development, recent transformation into an art form, traditional training methods and transmission, Mongolian classificationM&moire de maîtrise de Renaud SCHMITT, 4ème partie Les Chakras et le chant diphonique D’après Trân Quang Hai, il est possible de réharmoniser les chakras, grâce au chant diphonique. Après de nombreuses années de recherches, Trân Quang Hai est arrivé au résultat suivant (d’après notre entretientMémoire de maîtrise de Renaud SCHMITT, 3ème partie Documents annexes Méthodes de réalisation du chant diphonique (par Trân Quang Hai) J'ai découvert cette technique vocale à deux voix simultanées en 1970 grâce à un enregistrement sonore effectuéMémoire de maîtrise de Renaud SCHMITT, part 2 (suite) Les divers styles. Le style kargyraa [kagyra][7]. Il s’agit d’un chant très grave, se rapprochant énormément de la prière tibétaine de style dbyang [dyang]. On distingue principalement deux styles kargyraa : le kargyraa de montagne (Dag kargyraa [dag kagyra]) et le kargyraa de steppe (Xovu kargyraa [xovu kagyra]). Les voyelles en sont les Mémoire de maîtrise : Composition musicale au Synthétiseur avec le chant diphonique par RENAUD SCHMITT sous la direction du Professeur Jacques Viret en 2002 à l'Université Marc Bloch de Strasbourg. CURRICULUM VITAENov/25/2004Name Seiji ADACHIOceATR Human Information Science Laboratories2-2-2 Hikaridai Keihanna Science City Kyoto 619-0288 JapanPhone: +81-774-95-1090, FAX: +81-774-95-2647 E-mail: sadachi@atr.jpURL: http://www.his.atr.jp/~sadachiBornJanuary 10, 1961, Osaka, JapanEducationDept. of Mathmatics, Osaka University 1979 – 1983BSc in Mathematics 1983Dept. of Physics, Osaka University 1983 – 1991BSc in Physics 1986, MSc in Physics 1988, Ph.D. in Physics 1991DissertationTitle: Surface Energy on a Boundary in 4 I was graduated in 1991 in Department of Physics at University of Osaka and got PhD on theoretical physics. I spent one year at University of California Irvine, where I met music as a research subject. From 1992 to 1998, I worked for ATR Human Information Processing Laboratories as a research associate. During this term, sounding mechanism of brass and air-jet driven instruments was studied as a self-excited oscillation system with delayed feedback. Acoustics of the throat (overtone) singing was also investigated
